Friday, April 22, 2011

Down to the wire

This is another revision of the thesis in which I hope I have been clear conscise and had a chance to iron out all the wrinkles that needed clarifying.




Intrigued by the resurgence and the repetition of the fleur de lis image, I
began to satisfy my curiosity by researching more about its origins. I wanted to
find out how it started and what it really meant; but now I am lost in a maze of
fleur-de-lis, and I am not attempting to discover its origins but rather how it
is used. Through vigorous research and recordings made possible through a
sighting journal I will address the question, what is it about this successful
image that lends itself so readily to various contexts and is there a single
connection between these images? A study of the history of this image will
enable an analysis to be drawn of the various meanings given to and the
retention of the fleur de lis image.
Examining the contexts in which the Fleur de Lis image is seen will demonstrate the role that culture plays in how meaning is derived in each Fleur de Lis image. What may have begun as an image denoting positions of prestige has been integrated into everyday use among the not so ordinary common people. Using a sightings journal, a recording of the instances in which fleur de lis appear, to fuel and satisfy my curiosity with the image of the fleur de lis as each sighting leads me into different paths of
research. In addition to driving my research, these images will provide a variety of contexts in which to probe and analyze for a more in-depth study of the Fleur de Lis. As well as satisfying my curiosity for this image, this research will consequently permit a more thorough understanding of how graphic arts and humanities play a significant role and work in tandem with each other as mutual collaborators. Graphic design creates and delves into images and what they come to represent in a practical way. Humanities in this application are how images are able to be used and the meaning that we associate with each image.

Friday, April 15, 2011

Thoughts and Impressions


  1. This week I have tried to revise my thesis and have approached possible advisors. One has accepted the task of working with me on this topic and the other I will contact again on monday. I came across a picture which reinforced the idea that everyone would like to be seen as important ( the same essence of importance which Hyacinth Rigaud captured in his portrait of King Louix XIV). The picture was part of the news and announcements page in the UVU Library website. It announced a battle of the bands and had a caption does queen still rock you, alonside a picture of queen on stage in a red robe and wearing a crown.Could this be one of the reasons why we like images of the fluer de lis because in some form or other the fleur de lis has been visible on clothing however refined or urbanized?
Follow up responses to unanswered questions

  1. I have also given some thought to the following questions:Do you think the image retains some of its royal feel of pomp-& regalia even in its mass market variations? Do you think it would be marketed without that cultural context? ( That is, do you have any reason to believe that the symbol has an inherent attraction that transcends specific context, or not?). In response I think that the fleur de lis does retain some of its royal feel of pomp-& regalia in its mass market variations and this is why there are so many variations because even though the public realizes that other people will be wearing the same shirt, jacket, hat, or pair of jeans that they purchase they still might feel that there is enough similarities and differences between the image that perhaps makes them feel like an individual. However, I think that there is some weight to the specific cultural contexts even if we are not aware of what they may be. If the consumers of these products do not know the history behind this image there is still something communicated that speaks of simplicity and refinement or something along these lines. I feel certain that the designers of the products do know some information about the image and that it sells and that is why we may continue to see patterns in the contexts in which we see the image. In a paper weight I saw the other day the words Elegance, chic, style, design and they were in a cursive script that looked old and that seems significant. I viewed this object as combining the old with new. An old symbol, the fleur de lis image, with a new connotation that redifines what the image was with the meaning we have given to it today. Rather than make an argument I would like go the route of an analysis approach and state what I have learned in studying the fleur de lis image , below is an updated attempt at a thesis provided for further scrutiny.
Thesis - a work in progress

  1. Initially, I thought that the Fleur-de-lis was a print maker’s trademark and at the time I was taking some courses on printmaking and felt part of that heritage. One afternoon while shopping I came across an elegant and refined hair stick. Thinking how strange it should be that a print maker’s trademark should be duplicated as a hair pin-- not at all what it was intended to represent -- I purchased the item. Later I took an art history class which covered the Renaissance up until the present day. In class we came across a portrait painting of Louis XIV by Hyacinthe Rigaud. Depicted on the king’s cloak was an abundance of fleur-de-lis. Because of my previous exposure to the image, I began to see it everywhere. It sprang up in the Boy Scout’s emblem and in clothing worn today. Intrigued by this image’s resurgence and the repetition of the image itself, I began to satisfy my curiosity by researching more about its origins. I wanted to find out how it started and what it really meant; but now I am lost in a maze of fleur-de-lis, and I am not attempting to discover its origins but rather how it is used. Through vigorous research and recordings made possible through a sighting journal I will address the question, what is it about this successful image that lends itself so readily to various contexts and is there a single connection between these images? Examining the contexts in which the Fleur de Lis image is seen will demonstrate the role that culture plays in how meaning is derived in each Fleur de Lis image. What may have begun as an image denoting positions of prestige has been integrated into everyday use among the not so ordinary common people. Through the use of a sightings journal, a recording of the instances in which fleur de lis appear, I will be able to let images of the Fleur de Lis fuel, and satisfy my curiosity as they lead me into different paths of research. In addition to driving my research, these images will provide a variety of contexts in which to probe and analyze for a more in-depth study of the Fleur de Lis. As well as satisfying my curiosity for this image, this research will consequently permit a more thorough understanding of how graphic arts and humanities play a significant role and work in tandem with each other as a mutual collaboration. Graphic design creates and delves into images and what they come to represent in a practical way. Humanities in this application are how images are able to be used and the meaning that we associate with each image.

Friday, April 8, 2011

An enexpected, but most welcome source

This past week while at work a co-worker told me about a reference to the fleur de lis in a book they were reading. I was so excited to get a new source so enexpectedly and without looking for one. Even better than gaining a new source is that it all might tie into the previous sources. The book is called Antonio Stradivari His Life & Work ( 1644-1737) by W. Henry Hill, Arthur F. Hill & Alfred E. Hill. I have only glimpsed through parts of it but from what I have been told violins were decorated with the fleur de lis image.

"When we arrive at the epoch of the Amatis-i.e. during the seventeenth century-it had ceased, we may say amost enirely, although it survived in the ornamentation of the fittings, such as the finger-boards, tail-pieces, pegs, and bridges. We have seen two violins, the work of Nicolo Amati, which were gracefully embellished with inlaid ornament: in one of them the ornamentation consisted of double purfling, and a fleur-de-lys inlaid in black at the corners of the back and belly, interspersed with small precious stones, while a design of similar character was let into the sides at the blocks."


later in a footnote



"The gigliato was so named because it bore the device of the Florentine giglio, or iris (fleur-de-lys), the emblem of the Republic, as it is to-day of the Commune of Florence."

The time frame of Stradivari's life makes him contemporary with Louis XIV and Louis was responsible for initiating several academies perhaps his music academy each bore an image of the city it represented and the founder of the academy (another avenue to look into). I have not done much in the way of researching this week because I have tried to fine tune (no pun intended) my proposal, so that I can be ready to approach possible advisors.

Saturday, April 2, 2011

A flood of images






The connections between all the images of the fleur de lis comes into focus with each sighting. I begin to notice patterns in the context each sighting is found and the purpose for each image. The book cover for Savage Wilderness reinforces what I have read about in The fleurs de lis of the kings of France, 1285-1488 by William M. Hinckle. What was most helpful to see while reading this book was the connection between why both France and Englan used the fleur de lis on their coat of arms. At one point France and England were governed under a dual monarchy. The bread wrapper is another way that the image has shifted from an image of regalia to an image used in the food industry like the De Loach wine.The same idea is strenghtened by the use of the fleur de lis in architecture from Buckingham palace to a lamp finial which can be purchased by anyone today at Lowes. The image becomes one of decor rather than an image of regalia and the public at large appears to be more interested in the style rather than in denoting status. From clothing such as a robe being an object of regalia now the fleur de lis has taken on a more urban look which can be added onto any article of clothing through an iron on patch.